Aputure

A Gaffer’s report on why this specialized LED panel light is a masterpiece of narrow-beam physics. I’m Lucas Gray. Throughout my decade on commercial film sets, one of the most persistent headaches has been simulating a sharp, direct beam of sunlight in a cramped interior. I have worked with countless fixtures over the years—from massive HMIs […]

If you have spent as many years on freezing cold film sets in Vancouver as I have, you develop a love-hate relationship with heavy gear. For two decades, my life revolved around hauling massive 1.2K HMI pars and listening to the hum of diesel generators. We needed the punch, so we dealt with the weight.